Deborah Wessling - Home Sweet Home

617-529-8833 Deb@DMWRealtor.com http://www.DMW.Realestate

courtesy of: Deborah Wessling

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Dear Homeowners,

Inside this issue, we explore how a few thoughtful choices can make a home feel calmer and more grounded. Patterns and materials drawn from the natural world are one approach. Layered lighting that gives a room shape through the day is another. And there's a third: claiming a small corner of home for rest, meditation, or daily self-care, one of those simple rituals that makes the whole house feel different. July's long evenings are made for unhurried meals with family and friends, so we are also sharing a simple menu for outdoor dining: a grilled stone fruit board to start, a flatbread for the table, and an olive oil cake for after.

If home projects or a real estate move are on your mind this summer, I'm always here to help with guidance whenever you need it.

Deborah Wessling Redfin 617-529-8833 Deb@DMWRealtor.com http://www.DMW.Realestate

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Table of Contents Rooms That Breathe HOW ORGANIC DESIGN MAKES A HOME FEEL BETTER TO LIVE IN 16 04

A Porch Supper for July • Grilled Stone Fruit and Burrata Board • Zucchini, Ricotta, and Lemon Flatbread • Peach and Rosemary Olive Oil Cake

Nature-inspired design is a way of choosing patterns, materials, light, and scale so that a room reads as restful instead of restless. This article walks through the three patterns that show up most in nature, the lighting and scale moves that make a space feel grounded, and six small additions that bring any room in this direction without a renovation.

Self-Care Sanctuary 8 STEPS TO CREATE RESTFUL SQUARE FOOTAGE AT HOME

Layered Light: How to Shape the Mood of a Room WHY A FEW LAYERED LIGHT SOURCES BEAT ONE BRIGHT FIXTURE EVERY TIME

A self-care sanctuary doesn’t require a spare room. It’s a small, dedicated corner of home, outfitted for rest, creativity, or quiet, and used regularly enough to become a habit. These eight steps walk through choosing the spot, building it out, and making sure you actually use it.

A single overhead fixture flattens a room. Layered light, dimmers, and a few well-placed techniques shape the way a space actually feels through the day. This article walks through the form-and-function basics, the case for dimmers, and how to think about lighting in older homes and rooms that need a little more visual breathing room.

July 2026

HOW ORGANIC DESIGN MAKES A HOME FEEL BETTER TO LIVE IN Rooms That Breathe

nature lowers stress, sharpens focus, and lifts mood.

A home should feel like somewhere your shoulders can drop. The shapes, materials, and light around you do more work toward that than most homeowners realize, and the design tradition built around it is called biophilic, from the Greek words for life and love. The idea is that people have a real, measurable need to feel connected to the natural world, even when we’re indoors. Research on the subject keeps reinforcing it: time spent in spaces shaped by

You don’t need to gut a room or buy out a nursery to apply it. Nature-inspired design is a way of choosing patterns, materials, light, and scale so that a room reads as restful instead of restless. The choices stack. A few of them used together can change how a room feels to walk into.

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back into living rooms in a serious way, often as low coffee tables, organic-edge mirrors, or sculptural lamps. Some of the most enduring fixtures in American homes draw from this same vocabulary without anyone calling it out. A Tiffany-style lamp pulls its motifs from leaves and dragonflies. A claw-foot tub borrows its silhouette from the animal world. A scalloped sink edges its bowl in the rhythm of a shell. They’ve stayed in style because the patterns they reference will never go out of style.

The current approach traces to American biologist E.O. Wilson, who introduced the concept in 1984 in a book on the subject. The instinct behind it is far older. Greek, Roman, and Egyptian builders pulled motifs straight from the natural world, leaves and vines and animals and the geometry of shells, and threaded them through architecture, pottery, and textiles. What’s new is the science. The last few decades of research have caught up to what those builders intuited, and the findings keep landing in the same place: rooms that echo nature feel better to live in. WHERE THE IDEA COMES FROM Three kinds of patterns show up over and over in nature, and rooms that borrow them feel quietly cohesive even when the elements are otherwise unrelated. Fractals are the most familiar. A fractal is a shape whose pieces look like smaller versions of the whole. Think of the structure of a fern leaf, the branching of a snowflake, the spiral of a pinecone, the markings on a pineapple. Brickwork, basketweave tile, and many printed wallpapers are fractal patterns whether or not we register them as such. Their repetition is what reads as soothing. Geometrics take their cues from the recurring shapes of the natural world: the circle of the sun, the crescent of a moon, the points of a star, the hexagon of a honeycomb. They’re clean, recognizable, and lend themselves well to flooring, fabric, and architectural detail. Biomorphic shapes are curvy, bulbous, and organic, like the silhouette of a river stone, the curve of a kidney bean, the swell of a gourd. Furniture and lighting in these shapes have come PATTERNS OF A RESTFUL HOME

July 2026

A common instinct when furnishing a room is to buy lots of small things. The result tends to be a space that reads as cluttered even when it isn’t, because the eye has nothing to settle on. Scale change is what nature does. A meadow has tall trees and short grass; a coastline has long sweeps and small stones. Rooms that mirror that kind of variation feel grounded. The simplest way in is to go bigger on lamps and rugs. A larger rug pulls a seating arrangement together; a larger lamp gives a side table presence and reads as architecture rather than accessory. Once those anchors are in place, the smaller pieces around them stop competing. Clutter works against all of this. Honest storage, a place for the mail, a place for the chargers, a place for the things you actually use, is part of the design itself. WHY BIGGER PIECES ANCHOR A ROOM

Outside, light shifts constantly: bright at noon, slanted by late afternoon, golden at dusk, dim and blue at night. Indoors, a single overhead fixture flattens that. Layering different light sources brings the variation back. Diffuse light, the kind that spreads softly across ceilings and walls, sets the baseline calm of a room. Layer accent and task lighting on top to add depth and draw the eye to the places you want it to land: a piece of art, a reading chair, a kitchen island. Dimmers on as many fixtures as possible make the system flexible across the day. If a room doesn’t get much natural light, lean on three tactics. Paint the walls a lighter, warmer tone so the available light bounces further. Hang a mirror on the wall opposite the window to double the effective daylight. Add textured fabrics, velvet and linen and bouclé and woven wool, so the eye registers warmth and depth even when the lumens are modest. The right combination of color, reflection, and surface can make a north- facing room feel held in light. LIGHT THAT MOVES THROUGH THE DAY

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Nature-inspired design and sustainable building tend to land in the same place. The materials that read as warm and grounded are usually the ones drawn from the earth in the first place: wood, stone, clay, wool, linen, cotton. Where it matters most is in the materials you’ll live with for decades. For wood (flooring, cabinetry, large furniture pieces), look for reclaimed sources or for certification by the Forest Stewardship Council, which tracks sustainable harvesting. For soft surfaces, natural-fiber rugs in wool, jute, or sisal, and undyed linens age better and shed fewer microplastics than synthetic alternatives. For walls, low-VOC paints clear out of the air faster and let a room breathe sooner. None of these choices ask you to compromise on the look. SUSTAINABILITY AS PART OF THE DESIGN

THE HONEST TRADEOFF

Natural materials are not maintenance-free. Marble stains, raw wood scratches, linen wrinkles, jute sheds. Many homeowners reach for a synthetic alternative for exactly this reason, and the synthetic versions are often cheaper, easier to clean, and still attractive at first glance. The argument for the natural material is the long arc. Stone and wood develop patina; linen softens; a wool rug tightens its character over years of use. A plastic countertop never develops anything, and when it dates, it dates abruptly. Knowing the tradeoff is the point. Pick natural materials where you’ll be glad you did in ten years, and accept that they’ll need a little more from you in the meantime.

July 2026

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You don’t need a renovation to start. A few small additions move a room in this direction quickly. SIX WAYS TO BRING IT HOME 1. Bring in real plants. A pothos in the kitchen, a fiddle-leaf fig in the corner, a small rosemary on the sill. Living plants do more for a room’s feel than nearly any object you can buy. If your light or schedule won’t support live plants, look for high-quality faux versions; the bad ones look bad, and the good ones now look the part. 2. Display something from outside. A bowl of river stones on a coffee table, a few seashells on a bathroom shelf, a piece of driftwood on a mantel. The associations they carry into the room are part of the design. 3. Hang landscape or animal art. Research on attention restoration shows that looking at images drawn from nature for as little as 40 seconds shifts the brain into a calmer, more focused state. The art is doing actual work. 4. Pull your color palette from a place you love. Forest greens, river blues, sand and clay neutrals, the warm browns of late- summer fields. A palette anchored in a real landscape coheres in a way a paint-chip- board palette rarely does. 5. Choose patterns that nature could have drawn . Fluted glass, scalloped fabric edges, hexagon tile, branching prints, leafy wallpaper. They settle into a room without demanding attention. 6. Open the windows. This sounds too simple to count, and it’s the most underused tool in the kit. Real air, real birdsong, real summer light coming through a screened door does more for a room than any decor purchase. Lean into it while the season is open to it.

July 2026

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Layered Light: How to Shape the Mood of a Room WHY A FEW LAYERED LIGHT SOURCES BEAT ONE BRIGHT FIXTURE EVERY TIME

Walk into a room lit by a single ceiling fixture and you’ll feel it before you can name it. The light is even, but it’s flat. The corners pull back, faces wash out, and the room reads as functional but never quite settled. Picture the same room with three or four light sources at different heights and intensities: a lamp on a side table, a wash of light along the ceiling line, a small accent on a piece of art across the room. Each one dims independently. The room has shape now. It has somewhere for the eye to go.

This is what designers mean by layered light, and it’s the closest thing to a universal rule the field has. In July, when daylight stretches deep into the evening and rooms shift through a long, slow dusk, layered light is what lets a space stay legible from breakfast through bedtime. The principles behind it are straightforward, and most of the work can be done one fixture at a time.

July 2026

THE DIFFERENCE DIMMERS MAKE

Every lighting decision starts with two questions: what does the light need to do, and how should it feel? Function comes first because it sets the floor. You need to move safely from room to room at night. You need enough task light to chop vegetables, read a recipe, get dressed, and find your keys. A household with anyone who has trouble with low light or balance issues needs brighter, broader, more even illumination than a household of young adults happy to dim things down. Older eyes also benefit from more contrast at the edges of stairs and counters. None of this is glamorous to plan for, but it’s the layer everything else sits on. Once function is handled, you can think about what the room should feel like at different times of day. A reading chair calls for a warm pool of light at shoulder height. Over a dining table, soft downward light works best, with almost nothing on the walls. In the bathroom, you want flattering side light at the mirror and a dimmer overhead for late-night trips. The fixtures don’t have to be fancy. They just have to be doing the right job. START WITH FORM AND FUNCTION

Of every change a homeowner can make, adding dimmers does the most for the least money. A fixture stuck at full brightness only works in one mood. The morning kitchen wants something different from the kitchen at nine in the evening, when you’ve finally sat down with a glass of wine. A bedroom overhead wants almost nothing at all once the lamps are on. Think of it like a stereo. No one would buy one without a volume dial. The song you want at a dinner party is the same song you want at a quiet breakfast, just at very different levels. Without dimmers, every fixture in the house is set to "loud." Dimmers have gotten much easier to install and live with. Smart switches and tunable LEDs now let you set scenes for different times of day, and the better warm-dim bulbs shift toward warmer color temperatures as you dial them down, mimicking the way candlelight or a setting sun softens a room. You don’t need a full smart-home setup to take advantage of this. A handful of well- placed dimmers in the rooms you use the most will do almost all of the work.

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A well-placed light makes a collection of art, books, or ceramics look like the room has been waiting for it. The wrong light makes the same collection look forgotten. LED has changed what’s possible here. Today’s LEDs are small chips with layered phosphors, which means color temperature can be shaped with much more precision than the old halogen and incandescent fixtures could offer. Cooler light brings out the blues and greens in a piece. Warmer light flatters wood, leather, and skin tones. Many residential fixtures now ship in a 2700 to 3000 Kelvin range, which sits comfortably with the way most homes are decorated. The most useful tool for art lighting is the framing projector: a small recessed fixture with adjustable barn doors that trim the beam to the exact dimensions of a picture. Done well, it looks as though the artwork is glowing from within. The light source is overhead and recessed, but the only thing the eye registers is the painting itself. The same trick works for sculptures, framed maps, even a beautifully made bookshelf you want to give a little theater to. LIGHTING FOR ART AND COLLECTIONS

July 2026

FIVE TECHNIQUES WORTH KNOWING

Several lighting techniques have crossed over from commercial design into residential use. Most are easier to install than they look, especially during a remodel or while finishing a room. • LINEAR LIGHTING. Long, narrow fixtures available as channels, tubes, or strips. Useful for a continuous wash of light along a counter, under a cabinet, or across a hallway. Can be surface- mounted, suspended, or recessed. • COVE LIGHTING. Indirect light tucked into a built-in ledge or recessed channel near the ceiling, aimed up at the ceiling or down a nearby wall. Softens a room’s edges and adds a sense of height. Works for both function and atmosphere. Combine any of these with traditional sconces and pendants, and a small room can feel several rooms larger than it actually is. Guest baths in particular benefit from this kind of layering. • TOE-KICK LIGHTING. Strips installed beneath cabinets and vanities, low to the floor. Functions as a soft accent at night and as a useful path light when you don’t want to flip on the overhead. • SOFFIT LIGHTING. Lighting recessed into a soffit or pocket, often on the ceiling, used to direct a beam at a particular angle. Common in kitchens above the sink and in entries above a console. • GRAZING . Light placed close to a wall so it skims the surface, exaggerating texture. Beautiful on stone, brick, plaster, and wood paneling. The same wall lit head-on goes flat; lit by a grazing fixture, it has depth.

Older homes were rarely designed with maximum natural light in mind, and the floor plans from earlier decades tend to chop the house into smaller, walled- off rooms. In a place like that, when the rooms feel closed in, the first question to settle is what you actually want to change. The goal might be ceilings that feel higher, rooms that feel bigger, or more daylight reaching the dim corners. Each of those points to a different lighting move. The most reliable instinct is to push light to the walls. Wall washing, sconces, and grazing all open a room visually, because the eye reads brightness at the perimeter as more space. A pair of well-placed sconces can make a hallway feel twice as wide. Cove lighting along the ceiling line can make an eight-foot ceiling read closer to nine. Bigger interventions help when the budget allows. Removing a wall to combine a kitchen with a dining or living area opens sightlines and lets light from one set of windows reach further into the house. A transom or a borrowed-light window between two interior rooms can move daylight from a bright space into a dim one without major construction. Homes from different eras respond differently, so look for the path that suits the way you actually live. BRINGING LIGHT INTO AN OLDER HOME

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You’ll know the lighting is working when you can stand in the middle of a room, turn slowly, and find that nothing fights for attention. Color temperatures stay consistent across fixtures. Brightness steps softly from one source to the next, and the pieces you love most are the ones your eye lands on. Whatever doesn’t matter recedes. HOW A ROOM READS WHEN THE LIGHTING’S RIGHT

Editing is the part most homeowners underdo. If everything is highlighted, nothing is. Pick the focal points before adding fixtures, then light those and leave the rest of the room a half-step softer. The contrast is what gives the room shape. The best rooms are the ones where you can’t immediately tell where the light is coming from. The fixtures themselves stay quiet, the pools of light feel intentional, and the whole room reads as if it has been there forever. That is the ambition: light that is layered, dimmable, and pointed at the things worth looking at.

July 2026

A Porch Supper for July Three Easy Recipes for Long, Slow Summer Evenings The porch supper is a Southern tradition rooted in the days before air conditioning, when families moved the evening meal outside to catch a breeze and escape a hot kitchen. The practice spread well beyond the South, and there is no better place to eat in July than a screened porch or a shaded patio. This menu fits that pace. The starter is a board of grilled peaches and plums with fresh burrata, picked at slowly with bread. The main is a flatbread layered with ricotta and ribbons of zucchini, which works off a covered grill or out of the oven. Dessert is an olive oil cake with sliced peaches and a quiet hum of rosemary that keeps on the counter under a dome for a full day.

GRILLED STONE FRUIT AND BURRATA BOARD SERVES 4 TO 6 AS A STARTER Ingredients: z 2 ripe peaches, halved and pitted z 2 ripe plums, halved and pitted z 1 tbs. olive oil, plus more for finishing z 1 8-oz. ball of burrata z ¼ cup torn fresh basil leaves z ¼ cup toasted sliced almonds z Flaky sea salt and cracked black pepper z 1 tbs. honey or hot honey (optional) z Crusty bread or grilled baguette, for serving

Instructions: 1. Heat a grill or grill pan to medium-high. Brush peach and plum halves with olive oil. 2. Grill cut side down for 3 to 4 minutes, until grill marks form and the fruit softens. Let cool slightly, then cut into wedges. 3. Place the burrata in the center of a serving board or large platter. Tear the top open with a knife so the cream spills out. 4. Arrange the grilled fruit around the burrata. Scatter basil and toasted almonds over the top. 5. Drizzle with a generous pour of olive oil, finish with flaky salt and pepper, and add a thread of honey if using. 6. Serve immediately with bread for tearing and dipping. Set out a spoon and a knife for the burrata so guests can build their own bites.

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ZUCCHINI, RICOTTA, AND LEMON FLATBREAD

Instructions: 1.

Preheat oven to 475°F with a sheet pan on the middle rack. (A pizza stone speeds the bottom crust along, if you have one.) 2. On a lightly floured surface, stretch or roll the dough into a rough oval, about 14 inches long. Transfer to a sheet of parchment paper. 3. In a small bowl, stir together ricotta, garlic, lemon zest, and salt. Spread evenly over the dough, leaving a ½ -inch border. 4. Toss zucchini ribbons with 1 tbs. olive oil and a pinch of salt. Arrange loosely over the ricotta. Sprinkle with Parmesan. 5. Slide the parchment with the flatbread onto the hot sheet pan. Bake for 12 to 15 minutes, until the crust is deep golden brown and the zucchini is just tender. 6. Drizzle with the remaining olive oil. Scatter herbs and add more flaky salt, pepper, and red pepper flakes if using. 7. Cut into long pieces and serve warm. The flatbread also works well off a covered grill set to medium heat.

SERVES 4

Ingredients: z 1 lb. pizza dough, room temperature z All-purpose flour, for dusting

z 1 cup whole-milk ricotta z 1 garlic clove, finely grated z 1 tsp. lemon zest z ½ tsp. kosher salt, plus more for finishing z 2 small zucchini, sliced into thin ribbons with a vegetable peeler z 2 tbs. olive oil z ¼ cup grated Parmesan z ¼ cup torn fresh basil and mint leaves z Cracked black pepper z Red pepper flakes (optional)

July 2026

PEACH AND ROSEMARY OLIVE OIL CAKE SERVES 8 Ingredients: z ½ tsp. baking soda z ½ tsp. kosher salt z 1 tbs. finely chopped fresh rosemary z 3 large eggs, room temperature z 1 cup granulated sugar, plus 1 tbs. for the top z ¾ cup good olive oil, plus more for the pan z ½ cup whole milk or buttermilk z 1 tbs. lemon zest z 1 tsp. vanilla extract z 2 ripe peaches, sliced into ½ -inch wedges z Powdered sugar, for serving (optional) z 1 ½ cups all-purpose flour z 1 ½ tsp. baking powder

Instructions: 1.

Preheat oven to 350°F. Lightly oil a 9-inch round cake pan and line the bottom with parchment. 2. In a medium bowl, whisk flour, baking powder, baking soda, salt, and rosemary. 3. In a large bowl, whisk eggs and sugar until pale and thick, about 2 minutes. Stream in the olive oil, whisking constantly. Whisk in milk, lemon zest, and vanilla. 4. Fold the dry ingredients into the wet just until no streaks of flour remain. 5. Pour batter into the prepared pan. Arrange peach wedges on top in a loose pattern. Sprinkle the remaining 1 tbs. of sugar over the fruit. 6. Bake for 40 to 45 minutes, until the cake is deep golden, springs back when pressed, and a toothpick inserted in the center comes out clean. 7. Cool in the pan for 10 minutes, then turn out onto a rack. Serve warm or at room temperature, dusted with powdered sugar if desired. A scoop of vanilla ice cream alongside is never wrong.

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SELF-CARE SANCTUARY: 8 Steps to Create Restful Square Footage at Home The phrase "self-care sanctuary" can sound fancy or over-the-top. The idea behind it is simple. Every room in your home already has a job: the kitchen for cooking, the bedroom for sleeping, the bathroom for getting ready. A self-care sanctuary is a place that has one job too. Its job is to remind you to slow down, be present, and do something that takes care of you. That doesn't have to mean a full extra room. It can be a corner of the bedroom, a bench in the basement, a window seat, an unused walk-in closet, a small section of the porch, or a shaded patch of the backyard. What matters is that you've claimed the space on purpose and outfitted it for rest, creativity, or quiet. Eight steps will get you there.

July 2026

Step 1. Set the Intention

Before you choose a spot, decide what the space is for. It might be naps, reading, painting, yoga or meditation, journaling, or a weekday morning stretch. It can be one purpose or it can be flexible, but knowing the answer first will determine everything else: where the corner lives, what goes in it, and how it should feel when you walk in. The intention also drives the inventory. A reading corner needs a comfortable chair, a side table, a lamp at the right height, and the books you actually plan to open. A yoga or meditation corner needs floor space, a mat, perhaps a low cushion or bolster, and a clear sight line. A journaling corner needs a small desk, a steady chair, and the notebooks and pens within reach. A painting corner needs storage that keeps supplies organized and visible. Pick the use, then pick the things.

Step 2. Choose the Right Spot

Step 3. Clear and Clean the Space

Once you know the purpose, scout for the location. The best spot is one you already gravitate toward, like a corner that gets soft morning light or a nook beside a window where you can hear birdsong. In summer, a screened porch or a shaded patch of the yard can be the easiest spot to make your own. Avoid high-traffic zones, areas with strong overhead lighting, and rooms tied to other obligations (the laundry corner, the desk where bills get paid). The whole point is to step out of the day's tasks. Pick a spot where that feels possible.

Once you've chosen, clear it. Move out anything that doesn't belong to the new purpose. Wipe surfaces, vacuum or sweep, and use gentle, low-fragrance cleaners so the space smells neutral when you start. Houseplants help on two fronts here, freshening the air and softening the visual edges of the space. Outdoor sanctuaries benefit from a small flowerbed, a potted herb, or a planter of trailing greenery.

Keep this step ongoing. A weekly five-minute reset will keep the corner usable. The moment it starts collecting laundry or mail, the spell breaks.

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Step 4. Build in Comfort

Step 6. Keep It Simple

Comfort is the foundation. The seating should match the activity. A reading corner asks for a deep chair, an ottoman, and a soft throw within reach. A meditation corner does better with a low cushion, a bolster, or a folded blanket on a rug. A daybed, a chaise, a wide armchair, or a hammock can each anchor a sanctuary, depending on the room and the purpose. Layer for the season. In summer, that might mean a linen throw, a small fan, an open window, and a glass of cold water at hand. In winter, a heavier wool blanket, a plug-in space heater, and warm slippers nearby. White noise, a quiet playlist, or even the sound of an open window will help mute distractions from the rest of the house.

Once the basics are in, stop. The corner doesn't need more. Crowding it with extras dilutes the calm you're trying to build. Aim for a few well-chosen pieces and clear surfaces around them. If a new object enters the sanctuary, something else leaves. The discipline of the empty space is part of what makes it restful when you sit down.

Step 5. Add Visual Appeal

The space should also be a pleasure to look at. Hang a piece of art that means something to you, framed photographs, a small woven wall hanging, or a mirror that catches the light. Curtains, sheers, or a bamboo shade soften a window. A small basket or shallow bowl can hold the things you reach for: lip balm, hand cream, a facial mist, a candle, a deck of cards, a sketchbook. Choose objects that have a story behind them. A pebble from a beach trip, a ceramic bowl from a friend, or a single houseplant in a hand-thrown pot will outwork a stack of generic decor. If you're not a confident gardener, a snake plant, pothos, or zz plant will tolerate near-total neglect and still earn its corner.

July 2026

Step 7. Set Boundaries

If you live with other people, name the space out loud. Tell your partner, your kids, or your roommates what the corner is for and when you'll be using it. Most households respect a stated rule once they understand it. For families with young children, locate the sanctuary somewhere that's not within easy reach (a bedroom corner with the door closed, a screened porch, a bench in the garage workshop) and time your sessions for naps, school hours, or the early morning. A few practical decisions reinforce the boundary: keep your phone face down or in another room, leave work materials outside the corner entirely, and don't let the space turn into a catch-all when guests arrive.

Step 8. Use It Daily

The sanctuary only works if you sit in it. Five minutes a day is enough to start. Pick a consistent time (morning coffee, the lull after lunch, the half hour before bed) and anchor the new ritual to a habit you already have. A short reading block, a few stretches, a journal entry, a single song listened to in full. The habit is what gives the space its value. If the routine slips, scale down rather than abandoning it. Two minutes today is better than waiting for a perfect free hour that never arrives. The whole point of carving out the corner was to make rest available on the days when it's hardest to find.

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What Is Your Home Truly Worth? To Request a Copy of My Free Home Value Report to Determine What Your Home is Truly Worth, Call 617-529-8833 or Email Deb@DMWRealtor.com . This is all 100% free with no obligation. After you submit the online questionnaire, you will receive my free report with information that will help you determine your home's value. I recommend printing it out and taking a drive to see the homes I've identified as comparable to yours. See how your home measures up. This will help you get an even more accurate idea of what your home is worth. An appraiser would charge hundreds for this service, but I will provide one at no cost. If you would like my free, professional opinion on the value of your home, I'd be glad to help. We can talk on the phone, or we can meet in person. I look forward to helping you! Deborah Wessling Redfin 617-529-8833 Deb@DMWRealtor.com http://www.DMW.Realestate My Website

Deborah Wessling Redfin

617-529-8833 Deb@DMWRealtor.com http://www.DMW.Realestate

My Magazine

My Website

My Complimentary Magazine

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